Last Autumn part of my local Transition Town, Kensal to Kilburn were out gathering local produce such as apples, pears and grapes. It was my good fortune to taste some of the wine that had been maturing in 3 separate demijohns since then, all of which had a unique taste. Not entirely mature, the consensus was to postpone bottling until April, with hope that a better flavour will be evident, and a street party is organised of the 2nd attempt. NW6, the London postcode of Kilburn and Queen’s Park is being used as the brand. The heartwarming way in which it has come into this world is through a collaboration of up to a dozen vine owners, all local, plus the involvement of 30 neighbours. “We trampled barefoot, our legs blood red as we came out of the barrel.” remarked co-ordinator Leo Johnson. More pictures can be seen on my Transition Towns photos gallery.
Most of the portraits I get commissioned to take are on location, at a subjects house or place of work. So I was excited to have landed a job in an East London studio, photographing a group of six individuals from the legal sector. The Shoreditch ambience was evident in the jazzy vibes emanating from the music box, rustic warehouse aesthetic and coffee on drip. Windows along the main studio wall could have caused me havoc with hotspot reflections from lights, so I was thankful to have arrived far enough ahead in order to work out a way of minimising this. Furniture came in all shape and sizes, providing a nice variety of interesting seating options, and the group was mixed enough in appearance to enable a final image that I was pleased with. The reward? A cover as well as DPS in this month’s Briefing. More London editorial and corporate portraits here.
One of my pictures appears in The Guardian, the newspaper that I most regularly read. It’s of Fiona Woolf, Lord Mayor of London, who was controversially given a role to chair an enquiry into child abuse. But I took the picture almost a year ago for a legal title, an intimate interview at which she admitted myself and the journalist into her expansive office. More of my profile portraits can be viewed on my website gallery. When I have time I spend painstaking hours key wording images prior to submitting them to picture libraries and agencies, and occasionally they see the light of day in high profile publications.
In the summer of 2014 I was selected to undertake a commission in collaboration with FotoDocument, Photoworks and Bioregional. I was given 3 months to complete a photo essay on a One Planet principle: Transport. At the same time 9 other photographers were asked to complete similar essays on sustainability principles: Water, Materials, Zero Waste etc.
Previously several of my personal projects have been about either transport or sustainability issues, so this was a dream commission for me. And to top it all it was set in Brighton and Hove, the first city to gain One Planet status. That means it received accreditation from sustainable development charity BioRegional, and will therefore be able to implement more sustainability projects.
All of the projects are showing in site specific locations: Sustaianable Food is on at the Open Market for instance. Mine are up at Brighton’s main railway station until July 2015, so please use this excuse to come down to the south coast for a visit.
I have been photographing a community known as Grow Heathrow for over 3 years, a community garden and site for activists protesting against third runway expansion.
Recently there has been a threat of eviction from a landowner who wants to regain control of the plot, despite leaving it as dumping ground previously. Local support in the area is unquestionably in favour of the residents of Grow Heathrow, who throughout over 4 years have created a community hub.
The local County Court gave the landowner to permission to take his land back on the day of August 14th, but the show of support from residents and friends of the site was so strong, that Mr. Mallick didn’t have the means for eviction. There was also a massive media presence, with news of the day broadcast by the BBC and on The Guardian, Independent etc. Singing, dancing, speeches all took place, as well as gardening as usual, and meals served up made from vegetables grown on site or skipped.
More Grow Heathrow images here taken over the course of 4 years.
Four years ago I took part in a group project with several other photographers. We set out to document the World Cup, the only problem being we didn’t have tickets to any of the matches, or flights to South Africa. But being stuck in London wasn’t all bad, as most countries are represented here (we didn’t meet any North Koreans), and they they know how to gather when their country is competing.
In the process I had a Brazilian hair cut, sipped Algerian sweet tea, downed schnapps with Danish and consumed plate loads of paella with the victorious Spanish. I looked oddly out of place in a Dutch sea of orange. There were pints of beer flowing and a dancable samba band playing throughout Brazil’s involvement.
At a time when contentious migration issues are being debated in Britain, the 2014 World Cup will again be a time to celebrate with different nations the diversity that makes London one of the world’s most cosmopolitan cities.
More images can be seen here
Frank Hewetson is not a name that most people are familiar with, but he is one of the prisoners recently released from a harsh prison sentence in Russia as part of Arctic 30. After a worldwide campaign to get the international activists freed, Franks, at home when I met him said he thought it was only the advent of the Winter Olympics that forced their release. And that of Pussy Riot, incidentally, which happened at a similar time. The Queens Park resident spoke animatedly of his time in a first in a freezing Siberian cell, followed by a more comfortable room at St. Petersburg. As a non-smoker, one of the biggest issues was the fact that his 2 Russian cell mates were chain-smoking throughout. Aside from the thick air, they got on amicably, and ironically Frank handed cigarettes that he was given to his cellmates in the interest of friendship.
Dr Leah won a series of Alan Sugar’s The Apprentice, and is pioneering a new concept, that is a cosmetic surgery drop-in clinic. I got the call from an Irish national paper, with the brief to get a range of shots which show off the place. That wasn’t difficult, as the interior is brand new , and the lady herself is very presentable. In fact the main problem was that she seemed to have had modelling lesson, and made all the moves that looked more akin to a glamorous model rather than an entrepreneurial doctor. We took her outside to get a few city pictures in order to establish the context, but the paper went for some of the more conventional lab shots.
Another portrait of Dr Leah can be found on the portraits section of my website.
I had the pleasure to photograph someone that I would put on a pedestal, James Thornton, founding CEO of Clientearth. His practise is Europe’s first public interest environmental law organisation, and he is in the New Statesman’s top ten of people who could change the world . Not only that but he is an ordained Zen Buddhist and author of 3 books, one of which (Field Guide to the Soul) I ordered on my return home. The office of Client Earth is nothing less than you’d hope for when visiting this environmental warrior. Based in London Fields, Hackney, they have a high-ceilinged open plan room with organically shaped windows above stunning vistas of the fashionable park. A bbq sits on the balcony in preparation for summer staff dining. The man himself epitomises calmness and serenity, an agreeable soul with an underlying drive. The day I went to photograph James the sun beamed through the window, providing my subject with a halo which I could only conclude was thoroughly appropriate.
These determined young individuals are all working as apprentices in the city of London.
They have jobs ranging from Housing Officer to part of a communications team.
I like the contrast between fresh faced employees and the sense establishment that the location brings.
The light is a good mix between natural available fill from the windows on the left and behind subject, and brollie to my right.
Best of all there is a professional air about this group, yet it doesn’t feel too staged.